Life Drawing Adventures 1

Hurrah! It’s here! Saturday morning and I have a lovely day lined up in a pub in Wakefield. This isn’t going to be like any other day or evening in a pub, where I force myself to imbibe far more alcohol than is good for me, but a life drawing day!

OK, so I am looking forward to having a pint with lunch, but the focus of the day is a luxurious 6 whole hours of life drawing. I haven’t been doing this for long – it’s something I started when I left my job last year, and it’s something I’ve really enjoyed since I decided to give it a try.  It’s strange how people react when you say you’re off to do some life drawing – odd, “knowing” looks and sideways glances and questions like “ooh, aren’t you embarrassed” and “what’s it like”?

What it’s like is a whole day of quiet contemplation – two models, great lighting, a little chit-chat early on and over lunch, but otherwise a peaceful day stood at the easel, listening to quiet music on my i-Pod as I draw what I observe.  OK, so it starts a little less quietly…easel legs creaking into position, pencils rattling and rasping as they are sharpened in eager anticipation, masking tape gently tearing as paper supports are quietly taped to drawing boards and water quietly stirred in jars as everyone sets up their own work space There is something very peaceful and serene about the room once the initial set up is complete.

We’ll start with two quick warm up sketches – there is a flurry of activity as the models adopt their first pose and we have 10 mins to “get our eye in” and persuade any tension to leave our bodies to create the space for our creativity to enter.

I start left-handed – my non-domminant hand. The results are “interesting” – out of proportion, crude and quite ugly, but Im already starting to relax and I feel some sense of creative emotion is released in me.

Female nudes sketch 1

Female Nudes sketch 1

Feeling more relaxed I attach a second sheet to my easel for the second pose – again we have ten minutes to capture the essence of this pose and the juxtaposition of our two models.

Female Nudes sketch 2

Female Nudes sketch 2

Working right-handed this time I’m feeling much more comfortable and confident already. The result this time is a much better proportioned picture and a sketch I will undoubtedly refer to again at some point in the future when looking for inspiration in my painted work. The outside world is almost disappearing completely except for the warm glow of an autumnal sun that brings a halo highlight to the models and a stark contrast of tonal values.

I set myself up for the longer pose that will last for the rest of the day. I love the light texture to the surface of my pastel paper and the warmth of the brown sheet I select from my portfolio.  A close squint at the scene before me and I am able to pick out and capture the deep tonal values with my dark charcoal and the highlights with a white charcoal pencil. Very quickly the scene before me starts to emerge loosely from my paper. Key lines noted in outline I have captured the scene and lunch beckons, including a refreshing pint!

This short break presents a chance to reflect and my decision is made…I will focus on working the detail in this picture for most of the rest of the day. Usually sessions become a race against the clock, but today’s session presents this rare luxury of an opportunity to work a picture with a finer level of detail. The afternoon passes by with relaxed satisfaction and I create a picture that captures the mood and I feel proud of…

Image of two female nudes seated

Two Female Nudes, seated £45.00




What is Art – Charles Mengin?

What better than a nice day out with old chums (chums of old, rather than aged, though saying that…) and an invitation to meet at Manchester Art Gallery.

Wrapped up warm (I’m off to Manchester after all) I opted for the relaxation of a gentle journey through the beautiful Hope Valley on the Transpennine Express. Points failure, train delays and a lost Manchester cabbie later I enjoyed a delightful lunch (and a bit of a giggle)   in the Manchester Art Gallery Restaurant. The day was already looking like a great a success and then came the art!

The scale of some of the works at Manchester’s city centre Gallery is amazing and the scenes depicted quite breathtaking. It’s always lovely to see a Turner close up and to marvel at the wondrous work of of his peers and predecessors. I am much less impressed by the “Art” of the paper cut artist 20,000 “feathers” hand cut from ordnance survey maps feels much more like OCD than art to me, but each to their own. My preference is for the realism of some of the works that facilitate a real connection – that usually means the figurative images with the  most realistic eyes and/or facial expressions. That and an interesting “back story” tend to hook me every time.

Painting of Sappho by Charles Mengin (1877)

Among my favourites today this painting  by Charles Mengin of Sappho, considered to be one of the one of the nine lyric poets of ancient Greece.

The image has a haunting, mystical quality that mirrors what little is known of the life and death of Sappho. Rumours abound about her sexuality and much of her work was destroyed, either deliberately or otherwise.

It has also been suggested that she committed suicide by leaping from the Leucadian cliffs for the love of Phaon, a mythological ferryman.

What is Art – Ashley Jackson?

The Big Draw – Ashley Jackson and Graham Ibbeson that sounds like fun!

On a cold but sunny Sunday morning we’re up much earlier than usual on our traditional “lie in” day. Warm coats, waterproofs and camping seats loaded we gather up a couple of grandchildren (not mine, but they are known to me, so I haven’t turned into some strange Chitty Chitty Bang Bang Child Catcher) and head for Cusworth Hall, Doncaster. It’s a beautiful day and we’re all set to receive our instructions from Ashley with art pads and pencils at the ready. Whoops! We’re 2 hours early, but never mind!

When we get started some time later we’re greeted by Ashley (wearing his trademark long waxed coat over his artist’s smock) and Graham who offer an insight into each others work to get us started. It’s already interesting to pick up their enthusiasm for what they do, their respect for each other and their typically no nonsense “Yorkshireness” (yes, I think I’ve made that word up) – I mean that down to earth bit about them that throws doubt on some of the more modern approaches to “Art”.

We’re off…we’re going to learn how to draw, nay paint, a quick outdoor scene (we only have one hour and at least 10 mins have already passed). First though, a quick tip “for the youngsters” on how to create a boat from the Christian Fish symbol. The closer the boat the fatter it should be and vice versa. Imagination is fired and Josh embarks on a couple of detailed drawings of ships that keep him quiet for the next 20 mins (because Ashley isn’t very inspiring apparently).

Ashley Jackson demonstration photograph

Ashley Jackson Demonstration

Next, we’re introduced to the principles of capturing umbrella (horse chestnut), lampshade (elm and sycamore) and teardrop (poplar) shaped trees, indeed we are surrounded by the green, red and gold autumnal trees of each of those various shapes! Ashley starts to outline our scene on rag paper –  (140lb Rough) using a pencil stub, whilst extolling the virtues of good composition (check out Turner’s painting of Bolton Abbey for good L-shaped composition).

The composition starts to take shape with the addition of colour washes, using a limited palette of only three colours – Prussian Blue, Lemon Yellow and Burnt Sienna, in varying proportions. We are reminded of the benefits of a real sable brush and of the principles of colour perspective as the scene to our right unfolds before our eyes on the easel. More words of wisdom:

“If it looks wrong it’s wrong even if it’s right”

Ashley Jackson demonstration photograph

Ashley Jackson demonstration

 

Final point – create four dark corners to prevent the picture falling out of the frame. With the addition of a mount card the picture is a triumph and once again Ashley Jackson has made watercolour painting look so much easier than it really is. Within 15 minutes the watercolour sketch is destroyed as part of the clearing up process.

Inside Cusworth Hall the “Opposites Attract” exhibition features some of Ashley’s fabulously atmospheric watercolour paintings of Yorkshire including some of her roughest Peak District terrain. Each demonstrates the tips we have just been given outside with the exception of how to capture the feeling – without a doubt these pictures really do convey the sense that he sees Yorkshire as his mistress…there’s love in them there hills!

So, a good day had by all and souvenirs for our two budding artists who spent the evening producing even more fine art works!

Sketch of Josh sketching

Josh sketching

Sketch of Caitlan

Caitlan listens to Ashley