Encaustic Adventures

Always keen to learn something new I treated myself to a half day workshop with Brian Nelson at Encaustic Art Plus, Elsecar. I use the word “treat” advisedly! The afternoon was full of fun thanks to Brian’s excellent tuition and the company of him and the other workshop attendees. We were all up and running really quickly with some basic techniques…who would have thought that ironing could be so much fun!!!

My Beeswax colour is selected (I chose to start with vivid) and my iron is set to somewhere in the region of a silk setting. Now I know it is unlikely I will burn myself severely I’m ready to paint.

Encaustic painted "Pineapple"

Encaustic painted pineapple

Encaustic painted "Zeppelin"

Encaustic Zeppelin

Spreading a background colour, creating lines using the edge and point of the iron and manipulating the wax using different parts of the sole plate.

I have carved wax before, but encaustic painting is completely different – liquid, runny and far less predictable than wax in its solid state, but it’s interesting to work with less control.

Further experiments produce interesting effects in beautiful, vibrant colours, enhanced when lightly polished with a soft cloth:

Encaustic painted "butterfly wings"

Encaustic “Butterfly Wings”

Encaustic painted "raspberry ripple"

Encaustic “Raspberry Ripple”

 

 

 

 

 

A few more experiments with colour and technique and we are ready to move on to more complex techniques that will enable us to create landscapes . This is the moment we had all been waiting for! First, a simple landscape:

Encaustic painted "Green Landscape"

Encaustic “Green Landscape”

Using only one colour, but with a small residue from the previous picture,  placing and dragging the iron creates a background “mountain”.

Placing and lifting the iron in the foreground creates the sense of depth and the effect of foliage. The  side of the iron carves out the meadow grass. This feels really satisfying!

With a little more colour, thought and skill we are able to introduce a whole mountain range in the background. A body of water is created in the mid ground and a pathway through the foliage in the foreground to the lake beyond.

Encaustic painted "Purple Landscape"

Encaustic “Purple Landscape”

With the introduction of the stylus tool we can add fantasy castles, fences, flower heads and picket fences…this is a real revelation!

Encaustic painted "Magic Kingdom"

Encaustic “Magic Kingdom”

 

 

 

And finally we are introduced to the scraper tools and stamps – the opportunity to add finer detail to the finished images.

Encaustic painted Flower

Encaustic painted flower

Encaustic painted VW camper van

Encaustic VW Camper

 

 

 

 

 

 

It’s refreshing to work in a different medium once in a while and I have thoroughly enjoyed this fluidity of this particular adventure.

Note to self: remember to save for further encaustic adventures

Am I an artist?

I have often asked myself the question “am I an artist?” You’d think the answer was straightforward really, but what is an artist?

Most definitions suggest an artist is someone who makes “art” to express what they are thinking or feeling. That’s fine, but what about commission work then, interpreting what someone else thinks or feels and translating it into an “art work”?

Some definitions suggest art is something that is functional and generally aesthetically pleasing to the eye (Tracey Emin’s contemporary work “My Bed” might disprove this theory). So perhaps we need to think more about form and content, or the skill and techniques involved to determine whether someone is an artist?

That raises another question…who decides whether I’m an artist? I have already made the decision to use the word on my business card, but to be honest I’m more inclined to think the decision rests with others. I know that my intention is to produce art that is aesthetically pleasing both in my opinion and others’. I also hope my work connects with and provokes a response in others. Most of all though I believe it’s the judgement of my peers that determines the answer to my question “am I an artist”?

Karen's caricature portrait

Karen – caricature

So, I received this wonderful caricature as a gift for my birthday recently. I love the fun, bold colours in the picture and the fantasy fairy image on the easel.  My birth date is cunningly incorporated, along with my web identity (KL Art). Oh, and I really love the virtual weight loss around the thighs and bum!

Most of all though I feel reassured by the affirmation that there are people out there who believe I’m an artist!

Thanks for the confidence boost – Stephen, Andrea & kids!

Now, where to hang it…..

Diary of a large acrylic painting – Part 4

Step 9 – My Excitement is mounting as I reach for my wider colour palette from amongst my box of tricks. The moment I have been waiting for…it’s time to bring Salvatore to life!

How to tempt a good looking Italian chef into the kitchen I wonder, a light Valpolicella or a cheeky Chiantio Classico? Surely a couple of bottles of red will coax him out and for the sake of artistic integrity (research is always important) I just know I will have to test at least one of the bottles from the still life I have set up in my studio to help with my composition. Oh dear, I need to paint a glass of wine…it seems that time is now!

Close up of Wine bottle, glass and tomatoes

Salvatore’s cooking ingredients – good enough to eat!

It’s been a long time since I have sat and truly exercised my powers of observation, but the wine glasses in my large acrylic painting have quietly troubled me since I was asked “so, how do you paint something that’s see through?”

I hadn’t really thought about how I would tackle them until now, but as the saying goes “necessity is the mother of invention”, my response: paint what you see!

 

Step 10 – A good helping of flake white aded to my stay wet palette I’m ready for…

Close up of Salvatore chef  from the painting

“Salvatore” arrives – Cheers!

…a touch of Cadmium Red (light), followed by a little yellow ochre, (sip)

…gently darkened in places with a little burnt sienna

…a smidgeon of Alizirin Crimson…

…blues eyes or brown?

Decisions, decisions, let’s go hazel…

Well, hello there Salvatore!!

I don’t mind if I do…Cheers!

My very large acrylic painting is nearly finished – add olive oil, green and chilli peppers, large orange cat in top hat (yes, that does say “large orange cat in top hat”), signature and a frame and we’re ready to go. OK, so there’s some time involved, weeks in fact but…

Step 11 – Hang! Welcome to your new home Salvatore!

That used to be that “really big empty wall in our kitchen” – turned out quite nicely, judging by the smile on my face! You can check out this and other large acrylic paintings (and some smaller ones) in my KL Art Gallery

"Salvatore Cooks For..." Photograph of finished painting

“Salvatore Cooks For…” home at last